Bruyn Kops, Floor de

One hundred love... One hundred love...

This work is part of a diptych based on Pablo Neruda's poetry collection Acrylic on linen, 120x140cm It shows the love sonnets and the pure sonnets in Chile

Bruyn Kops, Floor de

Overblown Flower Overblown Flower

The paintings 'The lightness of solitude' and 'Faded flower' are minimalist. It's about being alone and dying without gloom.

Balázs, Esther

Whiteandblack - diptychon Whiteandblack - diptychon

White and black creates a field of silence and the power of creation in the range between the antidotes of white and black

Centmayer, Marcus

01Nov19 01Nov19

This stone, a Taunus quartzite, is a converted Devonian sandstone. It has the yellow-gray-red bands typical of this material, which are cut by white quartz veins. I opened the piece and divided it into two chambers separated by a thin rod. The walls of the interior are criss-crossed by natural stratification and it is up to the beholder to decide to...

Balázs, Esther

Three times Three times

Reduction in variation An almost-white, illuminated from behind and around

Meurmishvili, Giorgi

Don't give up II Don't give up II

In this artwork I took during Covid-19. I  wanted to express everyday 'Isolation' of Women. Still there are a lot of women Post-Soviet countries who did not have 'Voice' in their family, thay are 24/7  365 days in 'Isolation'. with my artwork I want to send message to all women who are in a such situations - Don't give up! Be Strong, and brake The Wall!

Lammers, Riekje

Homage to Picasso Homage to Picasso

A tribute to Picasso

Niewöhner, Clemens

Pandora's Box Pandora's Box

Centmayer, Marcus

Tower I Tower I

I made this statue out of a piece of Lanhelin granite from Normandy. This material, a bluish, finely crystalline granite, was used in the region as early as the Middle Ages, for example on Mont St. Michel. Prolonged exposure to air, sun and salt water leads to redness and rust. This is how the blue-red gradient came about. If this process goes on for...

Centmayer, Marcus

Seven steps to heaven... Seven steps to heaven...

Tribute to Miles Davis I sawed steel clamping pieces for fastening railway tracks on the sleepers in strips. With the cut-open guide rails of the roller doors from the goods hall of a former train station (my studio), arranged in a row in a series and welded together, two strands result. Two elements to be placed in variable arrangement, 230x8x3 cm and...

Centmayer, Marcus

Bottleneck 01sept18 Bottleneck 01sept18

I made this sculpture out of Rhenish basalt. I open up the rough surface and create tiered, open interiors with narrow spaces. It is a game with architectural forms in which natural form and artistic intervention create a field of tension - it is up to the viewer to fill this space in an associative way.

Centmayer, Marcus

Tower ll Tower ll

I created this sculpture from a piece of blue, fine-grain Lanhelin granite from Normandy. I open the compact volume with prismatic, undercut slots at the bottom and cranked, narrowed notches at the top. Sawn outer surfaces border on broken surfaces, which is reminiscent of rubble or fragments, but is due to the fact that the shape goes beyond the format....

Wunderlich, Mathias

Insect Insect

In the Corona period / in the last few months I have created a whole series of works

Balázs, Esther

Untitled ll Untitled ll

Equilibrium  of form and color, motion and moment of stillness, shifting between landscape and architecture

Niewöhner, Clemens

Hope Hope

Meant as Hope for a Vaccine for the Coronavirus

Balázs, Esther

Untitled lll Untitled lll

Hoovering in space

Bruyn Kops, Floor de

The Nothing The Nothing

There are many invisible shapes and colors beneath the surface of the almost white painting. It's about the process: what happens when you paint and remove something, layer by layer, often more than 20 layers of what's left. Acrylic on linen, 120x130cm