This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Beautiful serie of artworks: Swedish Birds by Magnus von Wright Very detailed ornithological prints. Colonia-Art offers personalized framing for these artworks. These prints originate from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The...
Like layers of panels, Annette Selle's pictorial themes rise from the silky, pastel-coloured backgrounds of her paintings. Sometimes they are built, sometimes more layered, as collages over impasto underpainted fabric panels. Soaked in shimmering oil paint enriched with pure pigments.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Calligraphic drawing, printed in phosphor ink 1984 Publisher: Collectors Club Vienna - Printer: Jaffé, Vienna with white wooden frame
Like layers of panels, Annette Selle's pictorial themes rise from the silky, pastel-coloured backgrounds of her paintings. Sometimes they are built, sometimes more layered, as collages over impasto underpainted fabric panels. Soaked in shimmering oil paint enriched with pure pigments.
A shiny cool depth of the water caresses your mind as you dive into the abyss. A sea turtle diving in the sea Watercolor A3
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
On forays through the landscapes, I draw what I see. Later, in the studio, I surround myself with these drawing notes and layer by layer the image of a landscape emerges, a landscape that is not fixed to a particular place.
The artwork "Composition 2" by Achim Duchow is extraordinary and an eye-catcher for every room Color offsetlithography Handsigned and dated
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Shadows, the hidden, the washed over, forebodings. Expanse, movement, immersion. Thin white oil paint moves over a dark pigmented oil paint ground.
The artwork "Composition 3" by Achim Duchow is extraordinary and an eye-catcher for every room Color offsetlithography Handsigned and dated
A3 watercolor painting of a cat floating around in the space
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Abstract and natural forms (Abstract Art, Figurative Art): Series of 8. Drawn with the left hand because of recurring pain in the right hand.
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Watercolour 1988 signed and dated by hand Edition: unique in good condition
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Water, clouds, rain, solid ground, light, changing colours. A disturbance, a break in this game.
Contemporary Art, coal drawing, abstract still life.
Indian ink and chalk on paper 2013 signed by hand and dated Edition: unique In good condition, holes the size of a pin in the corners
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Color lithograph "Nu Aux Roses Bleues" by Mara Tran Long Handsigned, numbered or labeled Edition: 390 + 600+ 300
Shadows, the hidden, the washed over, forebodings. Sea, expanse, movement, immersion. The work is in three parts. Thin white oil paint moves over a blue pigmented oil paint ground.
Mara Tran Long 1935 Nu Á La Rose Color lithograph signed by hand, numbered or labeled Edition: 390 + 600+ 300 in good condition, minimal edge defects
The artwork "Head" by Rudolf Schoofs is extraordinary and an eye-catcher for every room Colour lithography Hand-signed, numbered or labelled, dated
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
The artwork "Composition" by Raffaele de Rosa is extraordinary and an eye-catcher for every room Color screen print Handsigned and numbered Edition: XXV
"Waiting for the Phone", pen and ink drawing by the artist Piotr Kamieniarz, signed by hand, dated and titled. Framed unique 2004, Ready To Hang, in good condition. Contemporary figurative art in the tradition of the Polish grotesque: Kamieniarz deals with marginal and taboo themes of society in a direct and blunt pictorial language, from which a...
"Tranquillity and serenity, depth and beauty, devotion and transcendence, these are some impressions when looking at Annette Selle's paintings. She has taken her time in her studies and observations, she has evaluated and sublimated, "condensing the essential", perhaps the archetypal, in the landscapes."Michael Peter Dinter
This print originates from: 'Svenska Foglar' by Magnus von Wright, published in 1917-1929, printed by A. Bortzells, Stockholm. (The first edition appeared between 1828 and 1837). The lithography on these plates is exquisite and very difficult to distinguish from hand-painting.
Drawn with acrylic Framed with shadow gap frame, pine black