Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Artwork was created during the lockdown
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.
Jonkman's works stand for a mysterious and cryptic expressionism. In his imagery, he creates different perspectives in which one can lose oneself. The second look at the scenery often disturbs the first picture maintenance, so that the powerful interaction of forms and intermediate forms create intelligent challenges of viewing.