Ina Abuschenko-Matwejewa was born in 1969 in Bernau, studied German language and literature/art studies at the Humboldt University in Berlin in 1988/89, from 1991-96 she studied paint/graphics at the Dresden Academy of Fine Arts. After graduating, she went to Berlin, studied for two years at the University of the Arts in the Art in Context course. With the birth of her daughter she moved to Eberswalde in 2008. In addition to her artistic activities, she has been working as an art and movement therapist in the Forensic Psychiatry Department in Eberswalde since 2010.
Her exhibitions and scholarships took her through half of Europe, she received numerous scholarships and art awards, including scholarships from the Stiftung Kulturfond Berlin, Villa Serpentara, studio scholarship from the Akademie der Künste, art sponsorship award from the State of Brandenburg and most recently the Norway Scholarship, sponsored by the Ministry of Science, Art and Culture of the State of Brandenburg.
Her works, in which she explores the tension between light and colour in her own way, have been shown in many places, including the KunstHaus Potsdam in 2019, the Galerie AE Potsdam, the Kunstverein Meissen e.V. Querung with the artist Andreas Schmid in 2018, and the exhibition of the Endmoräne e.V. Weiße Schatten - Wege durch die verlassene Papierfabrik in Eberswalde in 2017. Her series Schattenmänner was shown in 2017 at the opera project Die Kriminellen der Frau A. - auf dem Weg zu Ovartaci in the workshop of the Staatsoper Berlin, 2016 she showed her works together with the photographer Barbara Schnabel in the Galerie Mutter Courage, Berlin, 2015/16 Tragweite, Museum dkw Cottbus, 2014 Oppetreppe, Galerie der Bausparkasse Schwäbisch Hall, 2013 Poesie des Fragment, Kloster Chorin and many more.
She is co-founder of the Neuer Blumenplatz in Eberswalde.
Learn more at © https://ina-abuschenko-matwejewa.de/vita/
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard, framed, price per work): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Fine, minimalist drawing. Ink, Chinese rice paper.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): From the cycle "Dem Campo de´Fiori und dem Neuen Blumenplatz". Individual blue particles folded into each other form a slightly shifted but recognizable center and simultaneously dissolve it. Homage to the mathematician and philosopher Giordano Bruno (1600): If there is no finiteness in mathematics, there can be...
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard, price per work): Concrete spatial experiences are linked to associative threads. Sales price whole series € 6.000. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Monochrome color field painting, color bodies: design with form and color. "Escape the compulsion of usability." (Soulpault).
Berlin Buttons series, 6 pieces, price per artwork: Based on the video of the same name produced by Ina Abuschenko-Matwejewa. The occasion was the ticket vending machines in Berlin with the colourful buttons, which are now history. Limited edition fine art prints: Front with abbreviation signed in pencil and Berlin buttons back - minimal select fare...
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.
Paperwork (Gouache, drawing cardboard): Concrete spatial experiences are linked to associative threads. Between art space and context, a friction arises, creating a sphere of fading. By sounding out spaces, a visual and philosophical state of suspension is created.