This offset lithograph print, published by te Neues Company, features...
This artprint of Warhol´s color offset lithograph, published in 1992,...
This art print based on the originial from 1964 is a vibrant and iconic...
"The Best Version Of Yourself" by Jisbar/ Jean-Baptiste Launay is a...
A bold and striking take on the classic Mona Lisa, Mona Lisa Grin...
"Venus" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style UV...
"Be Yourself" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style...
This black-and-white exhibition poster features a striking image of a...
This acrylic painting is a dynamic fusion of vibrant colors, bold...
This acrylic painting is a dynamic fusion of vibrant colors, bold...
This vibrant acrylic painting by Nelson Neves serves as a Hommage to...
This vibrant acrylic painting by Nelson Neves serves as a Hommage to...
This acrylic painting is a bold and dynamic fusion of life and...
This acrylic painting is a bold and dynamic fusion of life and...
This acrylic painting is a bold and dynamic fusion of life and...
This acrylic painting is a bold and dynamic fusion of life and...
This acrylic painting features a portrait of Amílcar Cabral surrounded...
This acrylic painting features an Amílcar Cabral portrait surrounded...
Surrounded Islands color offset on heavy paper condition: in good...
"Lütte mit Rucola" is based on the film of the same name by John Bock....
Benjamin “Ben” Vautier (July 18, 1935, Naples – June 5, 2024, Nice) was a Swiss-French artist and a prominent figure in the Fluxus movement. In the early 1960s, Vautier embarked on a provocative action to sign everything that came into his view, including works by other artists and even his own body. This act was inspired by Marcel Duchamp’s concept of ready-mades and the idea that a work of art is defined solely by its signature. The project culminated in 1962 with a signed declaration in which Vautier announced that he would no longer sign anything.
Benjamin “Ben” Vautier (July 18, 1935, Naples – June 5, 2024, Nice) was a Swiss-French artist and a prominent figure in the Fluxus movement. In the early 1960s, Vautier embarked on a provocative action to sign everything that came into his view, including works by other artists and even his own body. This act was inspired by Marcel Duchamp’s concept of ready-mades and the idea that a work of art is defined solely by its signature. The project culminated in 1962 with a signed declaration in which Vautier announced that he would no longer sign anything.
This impressive 3D text collage features white acrylic on a brushed aluminum composite panel, created in 2016. The piece is hand-signed by the artist with a felt-tip pen, dated, and inscribed with "la archives. 2016." It comes from a limited edition of 30 plus e.a. and archive. Measuring 50.0 × 70.0 cm and in good condition, it is a remarkable example of...